Kendrick Lamar Just Made the World Dance to a Diss Track, and It's Pure Black History
- Holy City High
- Feb 7
- 2 min read

Kendrick Lamar just walked away with five Grammys for Not Like Us—a song that had Taylor Swift doing the two-step at the very event where it won. And the cherry on top? He’s set to perform at Super Bowl LIX, the most-watched event in the U.S. That’s right—Kendrick got America, no, the world, vibing to a diss track that calls Drake a pedophile. If that’s not a cultural moment, I don’t know what is.
From Diss Tracks to Dance Floors
Let’s be real: when the Kendrick vs. Drake beef started, we knew it was going to be big. But did we expect Kendrick to drop Euphoria, Meet the Grahams, and 6:16 in LA, each one escalating the pressure like a Mortal Kombat finishing move? No. Did we expect Drake to actually rap again and come swinging with Family Matters? Also no. But we got that too. Kendrick took him out bar by bar, but I will acknowledge that for a moment, Drake made it competitive.
Then came Not Like Us—a track so catchy, so West Coast, so disrespectful that it transcended the diss track genre and became a worldwide anthem. Think about it. Kendrick didn’t just clown Drake; he got the whole planet laughing and dancing while doing it. That’s generational artistry.
The Pop Out: A Roast Session for the Ages
Before the Grammys, before the Super Bowl announcement, Kendrick threw the most disrespectful celebration in hip-hop history—The Pop Out concert at The Forum in Los Angeles. It was streamed live on Amazon Prime Video, but make no mistake: this was a cookout where Drake was the main dish. West Coast legends like YG, DJ Mustard, and Dr. Dre came through. Kendrick had the crowd chanting the Not Like Us hook like it was the Pledge of Allegiance. The energy wasn’t just a concert; it was a statement.
Even in an era of viral moments, we have never seen a diss track celebrated like this. The last time hip-hop saw something close was Hit ‘Em Up, and even then, it wasn’t getting played at graduations and weddings like Not Like Us is right now.
Kendrick, The Grammys, and The Super Bowl: A Historical Black Moment
So here we are: Kendrick Lamar, with five Grammys in hand, a diss track that’s become an international phenomenon, and an upcoming Super Bowl performance where 100 million people will watch him celebrate lyrically eviscerating Drake. That’s not just a win for Kendrick—that’s a Black History Month achievement unlocked.
This is cultural dominance. This is the art of war. This is hip-hop at its finest.
And somewhere in Toronto, Drake is probably watching all of this unfold, wondering if he should drop another track. But the truth is, it’s too late. The world already picked a side.
Kendrick didn’t just win the beef—he made it a moment.
And we all danced to it.
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